Brandon and Trey relive their favorite songs, albums, movies, TV shows, characters, sports victories and life moments from 2016 in the first annual "Best Of" year-in-review podcast.

By Trey Alessio

As 2017 approaches and we get ready to throw away, shred and/or burn our 2016 calendars, I’d like to take the time to look back on what was truly another amazing year for hip-hop.  This past year may have left a bitter taste in some people’s mouths socially, politically or possibly just because of the fact that many celebrities fell victim to 2016. However, one thing is for sure: 2016 produced some flat-out amazing music. I present to you, my annual top-10 list for hip-hop album of the year. 

10. “Run the Jewels 3” – Run the Jewels

• Surprise! The dynamic duo of Killer Mike and El-P faked us all out by announcing their third installment of the “Run the Jewels” series would be released on January 13, 2017, and then pulled a quick one and dropped the album on Christmas. It was a Christmas miracle! This album consists of vibes that make you want to get out of your seat and be crazy—mosh, fight, run a marathon, party, etc. It’s really the epitome of hype music. Laced with 14 tracks, “Run the Jewels 3” included powerful back-and-forth lyricism and crisp, trippy production—sonically one of the best albums of the year. There’s just something about the surprise album drop that gets me going. 

9. “The Sun’s Tirade” – Isaiah Rashad

• Isaiah Rashad, the dark horse of TDE, really hit the scene and proved that he’s not just a TDE benchwarmer with his debut album, “The Sun’s Tirade.” On this album, he shows that he’s the perfect hybrid of mumble, trap rap and lyricism. It’s also cohesive and very dense, which turns off a lot of people but only makes me appreciate this album even more so—especially with every listen. “The Sun’s Tirade” is to 2016 as Joey Bada$$’ “B4.DA.$$” was to 2015. This is my sleeper pick for 2016. I loved the southern roots embedded within the music and how he takes his influences and used them to tell his story. Rashad really showed what he was all about with his debut album. 

8. “Blank Face LP” – Schoolboy Q

• The GRAMMY-nominated “Blank Face LP” is the best gangster rap album of 2016. Schoolboy Q finds a way to mesh his style of fierce, not-for-the-weak minded type of sound with meaningful lyrics and excellent storytelling. There’s just something about this album that makes you feel one with the music to the point where you feel like you want to go out and commit a couple felonies here and there. I also really enjoyed the variation in tone and sound from song-to-song on Schoolboy’s “Blank Face LP.” He found the perfect way to go from the dark, hard tone of “Groovy Tony” to the introspective, socially aware tone of “Black Thoughts.” It was very much like a pinball experience from sound-to-sound, tone-to-tone and song-to-song throughout the entire album. 

7. “The Divine Feminine” – Mac Miller

• Mac Miller really gets better with every song, mixtape and/or album. After his nearly perfect album, “GO:OD AM,” he followed it up with a concept album about love. This album is short and sweet but doesn’t stray from its theme. Slated with 10 songs and multiple big-name features, such as Anderson .Paak, Ty Dolla Sign and Kendrick Lamar, “The Divine Feminine” is infectious and explores the depths of sex, love, relationships and women, in general. I also really enjoy Mac Miller’s signing voice—something he uses quite a bit on this album. Although I can’t say this is my absolute favorite Mac Miller album ever, I can say the man has solidified himself as one of the best artists in the game. “The Divine Feminine” will be a staple for the lovey-doveys out there looking for their soul mate.

6. “Birds In the Trap Sing McKnight” – Travis Scott

• One of my favorite things as a hip-hop fan is being apart of a worldwide premiere—something Travis Scott did with his album, “Birds In the Trap Sing McKnight.” I love listening to each song, being surprised with every feature (this album was jam-packed with enormous features), sharing the moment on social media and seeing what others had to say about the exact same thing. Sonically, this may be the best album of the year. Every song had a different tone, and even within the same song, sometimes it switched up and spat out another vibe or sound. Travis Scott didn’t blow me away lyrically with this album, but the beats and the production were on another level. It’s just great music to vibe out to when you’re in the mood to turn up. 

5. “Views” – Drake

• Was this my favorite Drake album? No. Do I think this was Drake’s best album? No. Do I think this was a classic? No. But I can’t ignore “Views’” commercial success. The GRAMMY-nominated album broke just about every streaming record known to man and stayed atop the charts week after week after week for quite some time. Don’t get me wrong, Drake made some great music with his album, “Views”—songs in which I still play on a regular basis. The production on “Views” is incredible, and the sounds are easy to sing along with. There’s no denying Drake is one of the biggest artists of this generation. There’s no denying he makes great music. Does this album help his résumé for that coveted “best rapper alive” list? That’s questionable especially because most of this album has an R&B vibe to it, but without question, Drake knows how to produce hits—something “Views” is chalk-full of. 

4. “The Life of Pablo” – Kanye West

• After possibly one of the sloppiest album rollouts of all-time, Kanye West came through and gave us a beautiful-mess-of-an album—something some say parallels his crazy lifestyle. While this album isn’t perfect and not even my favorite Kanye album, “The Life of Pablo” is still in the music rotation to this day. This album has great features, crisp production, and artistic value deep within the music. It’s not really cohesive and there isn’t really a concept, but it just works. My only beef on the album are the dumb, raunchy lyrics on certain songs that made me feel like Kanye wasn’t really trying, but, overall, “The Life of Pablo” just adds to Kanye’s great discography. 

3. “ We Got It From Here… Thank You 4 Your Service” – A Tribe Called Quest

• Eighteen years in the making, A Tribe Called Quest bless us with their final album, “We Got It From Here… Thank You 4 Your Service.” Laced with socially conscious songs and 90s vibes, the Tribe brought the nostalgia we love from them and put a modern-day spin onto the music. This album is extremely lyrical with meaning behind just about every song. I was also very surprised and excited when I came across each feature, as they aren’t listed on the official tracklist. This album was the perfect sendoff to the late Phife Dawg. 

2. “4 Your Eyez Only” – J. Cole

• Is J. Cole about to go double platinum without features again? Only time will tell, but he may be well on his way. When a pre-order link miraculously appeared on iTunes with the news of a new J. Cole album coming in early December, I was jumping up and down with excitement. My expectations and anticipation were at an all-time high. This was very similar to his rollout of “2014 Forest Hills Drive” in 2014—only a week’s notice with no real promotion and no single. The only difference this time around was J. Cole’s release of a 40-minute documentary before the album’s release, which consisted of two new songs, “Everybody Dies” and “False Prophets.” At the time, we all thought these songs would make the album—something that probably came to a surprise to most people based on the aggressive tone in which both songs had. However, the two songs from the documentary didn’t make the cut. Instead, we got 10 cohesively pure, humble, honest and introspective songs. The storytelling on J. Cole’s “4 Your Eyez Only” is next to none. We learn that he gets married and has a daughter throughout the album, and he pays tribute to a fallen friend from his hometown. Whether he’s truly speaking from the perspective of his drug-dealing friend, whether he’s just speaking to the daughter of his drug-dealing friend or whether he’s speaking to his own daughter and exaggerating things that come along with the rap culture that he experiences in his own life is kind of left for us to interpret, but the message is powerful and deep. It’s a complex and dense project, but, in my opinion, that only adds to the greatness of the album. 

Here are my honorable mentions. While these were all amazing albums, they didn't strike as hard as the albums in my top-10. It was a tough year to make the cut simply becuase of how many great pieces of work were brought to the forefront in 2016. Check them all out though!

• "Telefone" - Noname
• "Far From Familiar" - Sylvan LaCue
• "Do What Thou Wilt" - Ab-Soul
• "Bucket List Project" - Saba
• "1992" - The Game

Do you agree or disagree with the don's list? Let us know!

By Trey Alessio

As good of a year as it was for rap, it may have been even better for R&B. The hip-hop sub-genre produced some of 2016’s best albums with all the rhythm and blues. I decided to make a separate list for my top R&B albums to avoid all the messiness that comes with an overall list. 

5. “Awaken, My Love!” – Childish Gambino

• When I first heard this album, I’ll admit, I was a little turned off. I may have expected a more rap-heavy album from Gambino, but all I got was straight R&B vibes. Donald Glover a.k.a. Childish Gambino is a genius in everything he does, so I respected the attempt to move the culture forward, but it kind of seemed like he was just trying to be different for the sake of being different. I don’t even know how to describe it. The album sounded like a knockoff James Brown with some sort of auto-tuned trippy-ness, and I just wasn’t feeling it right off the bat. But then I kept listening and I watched Gambino’s performance of “Redbone” on Jimmy Fallon. Let’s just say, it was incredible. The album sounded like it definitely used some vocal manipulation and pitching effects, but after seeing his late night performance, it was apparent that Gambino just switched up his voice throughout this entire album, which is hard to believe because half the time he sounds like a girl. “Awaken, My Love!” has continued to grow on me, and I think it’s safe to say that there is a lot of artistic value in this album. 

4. “Blond” – Frank Ocean

• This album was probably one of the most anticipated, sought-after albums of 2016. Frank Ocean kept dropping subtle hints early in the year that he may coming out with an album, and after numerous troll jobs, we finally got a new Frank album. Four years after his outstanding debut album, “Channel Orange,” Frank Ocean released “Blond” in conjunction with a visual album entitled “Endless,” which was a sort of Apple Music stream experiment and a “Boys Don’t Cry” magazine. “Blond” is very dense and very layered. It takes multiple listens to fully appreciate this album. It’s one of those albums you have to be in the right mood for, but when the mood hits, there’s no denying it’s beautiful music with a deep message. “Blond” didn’t hit me as hard as some of the other R&B albums from 2016, but I really enjoyed Frank’s “Channel Orange” follow-up. 

3. “Starboy” – The Weeknd

• “Starboy” is sonically one of the best projects from 2016. It has a very futuristic vibe with Daft Punk behind a lot of the production, but it’s topped off with The Weeknd’s Michael Jackson-esque vocals. This is probably the most pop-sounding album in The Weeknd’s discography, but he still gets the job done with multiple hits and numerous songs to dance and vibe to. I also loved “Mania,” the visual piece he put out right before the album’s release. I felt like it was a perfect introduction to the album’s sound from a visual perspective. The Weeknd has found his groove and I don’t foresee him stopping any time soon.

2. “Lemonade” – Beyoncé

• I said it after the first time I listened to the album: this is Beyoncé’s female version of Kendrick Lamar’s “To Pimp a Buterfly.” It’s cohesive, it tells a powerful story and it’s great music—all very similar things to Kendrick’s album from last year. As a man, this made me fear women a little bit more because Beyoncé gave her listeners reassurance that they are fierce, beautiful and shouldn’t take any s*** from anyone—things all women should be doing anyway. I can see the power in that, and I love it. Initially, I don’t know if the majority of people listening to this album really understood the point or the theme “Lemonade” was trying to teach. Yes, the album is directly pointed at Beyoncé’s husband, Jay Z, and his alleged affair with “Becky with the good hair.” At first, everybody didn’t see past that line. They all thought Beyoncé gunned Jay Z’s life and their marriage was over. They acted like Jay Z had no idea this was coming. But if they made it past that line, they would learn that the strong theme throughout this album is “true love.” I believe Beyoncé is saying, “Yes, Jay Z may have done some bad things in the past. Maybe it will be hard to forgive him. But at the end of the day, true love prevails.” This was further exemplified in Beyoncé’s short film on HBO. Jay Z actually made an appearance in the “Sandcastles” portion of the film. The film is really essential to getting the full picture from this album. True love prevails, ladies and gentlemen. It’s a strong message and an amazing album. Watch out this album to sweep the GRAMMYs. 

1. “Malibu” – Anderson .Paak

• Through and through, this has been one of my favorite albums of 2016. “Malibu” is flat-out incredible. Its positive vibes, beautiful production, surprisingly weird cohesiveness and epic vocals make it the best R&B project of the year. Anderson .Paak had a huge year and it all started with this album. Well, it may have started when Dr. Dre put him on six of his songs from his “Compton” album last year, but you know what I’m saying. Songs from “Malibu” appeared on numerous commercials, in video games and on TV. The vibes from “Malibu” kind of coincide with Chance the Rapper’s “Coloring Book.” They both exude positivity; they both have vibrant sounds; they both make it cool to feel good and happy. I’d say the only big difference between the vibes on “Malibu” and “Coloring Book,” is that “Malibu” is more abstract, more left for the listener to interpret. This album has been in rotation since January and I suspect it will remain on repeat for years to come. It’s an outstanding, fun, beautiful piece of music. 

Do agree or disagree with the don's list? Let us know!

Trey and Brandon review "Rogue One," break down the Golden Globe nominations, review J. Cole's album, "4 Your Eyez Only," talk the latest in sports and much more.

We're back! Trey and Brandon break down everything relevant in the world of music, movies, TV and sports, including the GRAMMY nominations, J. Cole's upcoming album, "Fantastic Beasts And Where To Find Them," "Rogue One: A Star Wars Story," the College Football Playoffs, the Heisman finalists, MLB transactions and more.